AL PACINO

I've been a huge fan of Al Pacino since like my childhood days, even if I barely know him. I was thrilled by his movies back then without even knowing who he was. But anyone would be, because he truly is one magnificent and brilliant actor! Now here's a quick biography of him from imdb.com:


Date of Birth
25 April 1940, New York, New York, USA

Birth Name
Alfredo James Pacino


Nickname
Sonny

One of the greatest actors in all of film history, Al Pacino established himself during one of film's greatest decades, the 70s, and has become an enduring and iconic figure in the world of American movies. Born on April 25th, 1940 in the South Bronx, New York, Pacino's parents (Salvatore and Rose) divorced when he was young. His mother moved them into his grandparents' house. Pacino found himself often repeating the plots and voices of characters who he had seen in the movies, one of his favorite activities. Bored and unmotivated in school, the young Al Pacino found a haven in school plays, and his interest soon blossomed into a full-time career. Starting on the stage, Pacino went through a lengthy period of depression and poverty, sometimes having to borrow bus fare to make it to auditions. He made it into the prestigious Actors Studio in 1966, studying under the legendary acting coach Lee Strasberg, creator of the Method Approach that would become the trademark of many 70s era actors. Making appearances in various plays, Pacino finally hit it big with "The Indian Wants the Bronx", winning an Obie award for the 1966-67 season. Gaining notoriety on the theater scene, Pacino then won the Tony Award for "Does the Tiger Wear a Necktie?". His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a junkie in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). What came next would change his life forever. The part of Michael Corleone in The Godfather (1972) was one of the most sought- after roles in film history. Robert Redford, Warren Beatty, Jack Nicholson, 'Ryan O'Neal (I)', Robert De Niro, and a host of others were bandied about for the role, but director Francis Ford Coppola had his heart set on the unknown Italian Pacino. From the studio, to the producers, to the cast on down, nobody else wanted Al Pacino. Though Coppola won out through slick persuasion, Pacino was in constant fear of being fired and replaced at any minute during the hellish shoot. But the role was a career- making hit, and earned him his first Academy Award nomination for Best Supporting Actor. Instead of taking on easier projects for money, Pacino threw his support behind tough important films, such as the true life crime drama Serpico (1973) and the tragic real life bank robbery film Dog Day Afternoon (1975). Pacino opened eyes around the film world for his brave choice of roles; and he was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with the law film _...And Justice for All (1979)_, for which he received another Academy Award nomination for Best Actor. This would unfortunately signal one of the only bad points in his career, one that produced the flops Cruising (1980) and Author! Author! (1982). He took on another vicious gangster role and cemented his legendary status in the ultra-violent Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino became terribly ill with pneumonia. Constant changes in the script also further derailed an already terrible project. The Revolutionary War film is considered one of the worst films ever, gained Pacino his first truly awful reviews, and kept him out of movies for the next four years. Returning to the stage, Pacino has done much to give back and contribute to the theatre, which he considers his first love. He directed a film _Local Stigmatic, The (1989)_ but it remains unreleased to the public. His self-imposed exile lifted, he returned in striking form in Sea of Love (1989) as a hard-drinking cop. The film marks the second phase of Pacino's career, the first film to feature his now famous dark, owl eyes and hoarse, gravelly voice. Making a return to the Corleones, he made The Godfather: Part III (1990), and earned raves for his first comedic role in the colorful Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and, two years later, he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mix of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic. The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann. He returned to the director's chair for the highly acclaimed and quirky Shakespeare adaptation Looking for Richard (1996). City Hall (1996), Donnie Brasco (1997), and The Devil's Advocate (1997) all came out in this period. Reteaming with Mann and then Oliver Stone, he gave two commanding performances in The Insider (1999) and Any Given Sunday (1999). In his personal life, Pacino is one of Hollywood's most enduring and notorious bachelors, having never been married. He has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a new set of twins with long-time girlfriend Beverly D'Angelo. His romantic history includes a long-time romance with Godfather co-star Diane Keaton. With his intense and gritty performances, Pacino was an original in the acting profession. His Method approach would become the process of many actors throughout time, and his unbeatable number of classic roles has already made him a legend among film buffs and all aspiring actors and directors. His commitment to acting as a profession and his constant screen dominance has established him as one of movies' legends.

Trivia

October 1997: Ranked #4 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list.

January 1961: Was arrested, charged with carrying a concealed weapon.

Son of Sal Pacino (insurance agent) and Rose Pacino (she died when Al was 22).

He has a daughter, named Julie Marie (b. 1989), with acting teacher Jan Tarrant.

Dropped out of school at the age of 17.

Turned down the role of Ted Kramer in Kramer vs. Kramer (1979).

Turned down Born on the Fourth of July (1989).

Turned down Apocalypse Now (1979).

Turned down the role of Han Solo in Star Wars (1977).

Turned down Pretty Woman (1990).

Turned down Crimson Tide (1995).

Originally asked for $7 million for The Godfather: Part III (1990), a figure that so enraged director Francis Ford Coppola that he threatened to write a new script that opened with Michael Corleone's funeral. Pacino settled for $5 million.

Father of twins Anton and Olivia (b. 25 January 2001), with Beverly D'Angelo.

His grandparents originate from Corleone, Sicily.

Was frequently refered to as "that midget Pacino" by producers of The Godfather (1972) who didn't want him for the part of Michael Corleone.

Francis Ford Coppola asked Pacino to play Captain Willard in his film Apocalypse Now (1979). Pacino politely turned down the offer, saying he'd "do anything" for Francis but he "woudn't go to war with him!"

1994: Stopped a two-pack-a-day smoking habit to protect his voice. In the mid-1980s he had been smoking four packs of cigarettes a day. He now only occasionally smokes herbal cigarettes.

Al was so much into character (playing a plain-clothes NYC cop) while filming Serpico (1973) he actually pulled over and threatened to arrest a truck driver for exhaust pollution.

Is an avid fan of opera.

Once worked as an usher at Carnegie Hall.

Larry King considers Pacino's appearance on his show "Larry King Live" (1985) in November 1996 as one of his personal all-time favorite interviews.

2002: His salary was around $10 million a picture.

One of the few Hollywood stars who has never married.

Despite the fact that he starred in "The Resistable Rise of Arturo Ui" for Off- Broadway scale pay (the minimum salary allowed by Actor's Equity), the production had the highest ticket price in Off-Broadway history at $100 per ticket.

He is one of the eleven elite thespians to have been nominated for both a Supporting and Lead Acting Academy Award in the same year. The other ten are Barry Fitzgerald Fay Bainter, Teresa Wright, Jessica Lange, Sigourney Weaver, Emma Thompson, Holly Hunter, Julianne Moore, Jamie Foxx and Cate Blanchett. Pacino was the second male actor, after Fitzgerald, to have been nominated for both a Best Supporting Actor and a Best Actor Oscar in the same year; the third is Foxx, who was nominated for Best Actor and Best Supporting Actor in 2005.

Won two Tony Awards: in 1969 as Best Supporting or Featured Actor (Dramatic) for "Does a Tiger Wear a Necktie?" and in 1977 as Best. Actor (Play) for "The Basic Training of Pavlo Hummel."

Won his first Oscar twenty-one years after his first nomination.

He and Chris Sarandon improvised their scene on the phone in the film Dog Day Afternoon (1975).

Studied acting under his friend Charlie Laughton.

He is an avid William Shakespeare fan.

Was voted the Number 1 greatest movie star of all time in a Channel 4 (UK) poll.

For a short while, he was the only actor to be in the #1 Best and Worst Movie on IMDb: The Godfather (1972) and Gigli (2003).

In a "Playboy" magazine interview, he claimed that he was fired from his job as a movie theater usher while walking down the staircase and admiring himself in the mirrored wall.

He was voted the 41st Greatest Movie Star of all time by Entertainment Weekly.

Portrayed crime bosses in The Godfather Trilogy, Scarface (1983) and Dick Tracy (1990).

In 2004 he became the 18th performer to win the Triple Crown of Acting. Oscar: Best Actor, Scent of a Woman (1992); Tony: Best Supporting Actor-Play "Does a Tiger Wear a Necktie?: (1969) and Best Actor-Play "The Basic Training of Pavlo Hummel" (1977); and Emmy: Best Actor-Miniseries/Movie, "Angels in America" (2003).

Read for Chazz Palminteri's part in The Usual Suspects (1995). Source: Director Bryan Singer, "Pursuing The Usual Suspects" documentary from UK DVD.

He was rejected repeatedly by studio heads while auditioning for the role of Michael in The Godfather (1972) but Francis Ford Coppola fought for him. This film was shot briskly because both the director and the leading actor were in constant fear of being fired. Ironically, it turned out to be a breakthrough for both.

He is the stepson of actress and make-up artist Katherin Kovin-Pacino.

He has four sisters: Josette, a teacher, twins Roberta and Paula, and a younger sister named Desiree, whom Pacino's father adopted whilst married to his fourth wife.

Was a longtime member of David Wheeler's Theatre Company of Boston, for which he performed in "Richard III" in Boston from Dec. 1972 to Jan. 1973 and at the Cort Theater in New York City from June 10 to July 15, 1979. He also appeared in their productions of Bertolt Brecht's "Aurturo Ui" at the Charles Theater in Boston in 1975 and later in New York and London, and in David Rabe's "The Basic Training of Pavlo Hummel" at the Longacre Theater in New York in 1977, for which Pacino won a Tony Award. Wheeler also directed Pacino in Heathcote Williams' "The Local Stigmatic" for Joseph Papp's Public Theater in New York City in 1976. Pacino appeared in a 1989 film of "Stigmatic" (The Local Stigmatic (1990)) directed by Wheeler that was presented at the Cinémathèque in Los Angeles.

2001: Recipient of the Cecil B. DeMille Award from the Hollywood Foreign Press Association for his "outstanding contribution to the entertainment field".

Won the Best Actor Obie (awarded for the best Off-Broadway performances) for "The Indian Wants The Bronx" in 1968. Was also nominated for a Best Actor Obie for "Why Is A Crooked Letter" in 1966.

His performance in the Broadway play "Does a Tiger Wear a Necktie?" won him a Tony Award for Best Dramatic Supporting Actor, and a Drama Desk Award and Theatre World Award for Best Supporting Actor in 1969.

Turned down the lead role of Roy Neary in Close Encounters of the Third Kind (1977)

While Paramount brass dithered over whether to cast him as Michael Corleone in The Godfather (1972), the role that would make him a star, a frustrated Pacino signed up for the role of Mario Trantino in The Gang That Couldn't Shoot Straight (1971). When Paramount finally decided to offer him the role in "The Godfather", it had to buy him out of his contract with MGM. Ironically, the role went to Robert De Niro, whom The Godfather: Part II (1974) would make a star.

His favorite actress is Julie Christie.

He and Jamie Foxx are two out of the only three actors to be nominated for an Academy Award for both Best Actor and Best Supporting Actor in the same year. (Barry Fitzgerald did it first in 1945) Pacino was nominated in 1993 for Scent of a Woman (1992) and Glengarry Glen Ross (1992) / Foxx in 2005 for Ray (2004/I) and Collateral (2004). Both men won the Best Actor award, and they both played blind men in their roles: Pacino as Frank Slade and Foxx as Ray Charles.

2005: Premiere Magazine ranked him as #37 on a list of the Greatest Movie Stars of All Time in their Stars in Our Constellation feature.

Grew up in the South Bronx, New York City

Attended The High School of the Performing Arts until he dropped out.

Was John Schlesinger's original pick for Marathon Man (1976) but producer Robert Evans insisted that Schlesinger cast Dustin Hoffman instead.

Has a production company called Chal Productions. The "Ch" is in tribute his friend "Charlie Laughton" (not the actor Charles Laughton) while the "Al" is for himself.

Worked in the mail room of Commentary magazine.

Shares a birthday with Talia Shire, his co-star in The Godfather films.

His favorite color is black

Breifly worked as a stand-up comic early in his career

Early in his acting career, he considered changing his name to "Sonny Scott" to avoid being typecast by his Italian name. "Sonny" was his childhood nickname.

Alec Baldwin, who co-starred with Pacino in Glengarry Glen Ross (1992) and Looking for Richard (1996), wrote a 65-page final thesis on Pacino and method acting for his degree at NYU.

Had been friends with John Cazale since they were teenagers. They starred together in Dog Day Afternoon (1975), The Godfather: Part II (1974) and The Godfather (1972).

He is only one of four actors to be nominated for an Oscar twice for playing the same role in two separate films. He was nominated as for The Godfather (1972) and The Godfather: Part II (1974). The others are Paul Newman as Fast Eddie Felson in The Hustler (1961) and The Color of Money (1986), Bing Crosby as Father O'Malley in Going My Way (1944) and The Bells of St. Mary's (1945), Peter O'Toole as Henry II in Becket (1964) and The Lion in Winter (1968) and Cate Blanchett as Elizabeth I in Elizabeth (1998) and Elizabeth: The Golden Age (2007).

During the making of The Recruit (2003), he met and became close friends with Colin Farrell. He went on to call Farrell the most talented actor of his generation.

Turned down the role of Richard Sherman for a remake of The Seven Year Itch (1955) which was never filmed.

Turned down role as Michael Corleone in the Godfather videogame.

2006: His performance as Sonny Wortzik in Dog Day Afternoon (1975) is ranked #4 on Premiere Magazine's 100 Greatest Performances of All Time.

2006: His performance as Michael Corleone in The Godfather: Part II (1974) is ranked #20 on Premiere Magazine's 100 Greatest Performances of All Time.

His performance as Tony Montana in Scarface (1983) is ranked #74 on Premiere Magazine's 100 Greatest Movie Characters of All Time.

His performance as "Michael Corleone" in The Godfather: Part II (1974) is ranked #11 on the American Film Institute's 100 Heroes & Villains.

His performance as Frank Serpico in Serpico (1973) is ranked #40 on the American Film Institute's 100 Heroes & Villains.

Was director Bryan Singer's first choice for the role of "Dave Kujan" in The Usual Suspects (1995). Pacino passed on the role and has since stated that that is the role he regrets passing on the most.

10/16/97: Imprinted his hands and signature in cement at Grauman's Chinese Theatre.

Stated in an interview that the movie he most wanted to be in but couldn't get the role was Slap Shot (1977). Director George Roy Hill opted not to go with Pacino because he could not ice skate.

Revealed to James Lipton on "Inside the Actors Studio" (1994) for the first time ever that his father was born in Corleone, Sicily.

1970-75: Lived with Jill Clayburgh.

At one point, David Cronenberg was in line to direct the film The Singing Detective (2003), with Pacino in the lead.

6/7/07: Honored with the American Film Institute's Lifetime Achievement Award.

Over the end credits of A Cock and Bull Story (2005) the two stars, Steve Coogan and Rob Brydon compete at doing Pacino impressions.

Oscar-winning director John Schlesinger envisioned a cast of Pacino, Julie Christie and Laurence Olivier for Marathon Man (1976). Pacino has said that the only actress he had ever wanted to work with was Christie, who he claimed was "the most poetic of actresses." Producer Robert Evans, who disparaged the vertically challenged Pacino as "The Midget" when Francis Ford Coppola wanted him for The Godfather (1972) and had thought of firing him during the early shooting of the now-classic film, vetoed Pacino for the lead. Instead, Evans insisted on the casting of the even shorter Dustin Hoffman! On her part, Christie -- who was notoriously finicky about accepting parts, even in prestigious, sure-fire material -- turned down the female lead, which was then taken by Marthe Keller (who, ironically, became Pacino's lover after co-starring with him in Bobby Deerfield (1977)). Of his dream cast, Schlesinger only got Olivier, who was nominated for a Best Supporting Actor Oscar. Pacino has yet to co-star with Christie.

Has suffered from chronic insomnia.

His Oscar nomination for The Godfather (1972) marked his first of 4 consecutive nominations, a feat he shares with Jennifer Jones (1943-46), Thelma Ritter (1950-53), Marlon Brando (1951-54) and Elizabeth Taylor (1957-60).

Personal Quotes

The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I'm talking about.

I can't say I've been sober though. I don't like that word. What does it mean? 'Sober! He's very sober'.

There are times when I have a temperament. Yes, my temperament is there ... but I hope I'm gentle. Yes, I think I am.

When I try to explain anything I always end up trying to be right usually, but not truthful necessarily. Trying to give the right answer or what I think is the right answer. It's a human instinct. You try to be as clever as you can be. You're trying to come off like you really know what the hell's going on, when you don't!

I'm single and I don't particularly like it. I'm certainly the kind of person who prefers ... it ... it ... It's good to have someone in your life that you're going through this thing with. It's good. That's a thing in life that I aspire to.

I like what Norman Mailer said about alcohol: 'Drink has killed a lot of my brain cells and I think I would have been a better writer without it, but it would be one less way to relax.'

Did you know I started out as a stand-up comic? People don't believe me when I tell them.

[on whether acting and his roles reflected who he is] In the end you're just playing a role.

I'll tell you something. And this is a fact. When I was doing Scarface (1983), I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time. I would come home and she would tell me about her life that day and all her problems and I remember saying to her, 'Look, you really got me through this picture', because I would shed everything when I came home.

That's right! That's right! We know the best feeling in the world is the one between the second and third martini. That was my deal. I just enjoyed who I became when I was drinking, so that was something hard to break. I became much quieter, and funny. I must say, that kind of thing came out.

I hope the perception is that I'm an actor, I never intended to be a movie star.

I'm constantly striving to break through to something new. You try to maintain a neutral approach to your work, and not be too hard on yourself.

I guess you find yourself repeating certain motifs. But at the heart of it all, I'm an actor, always looking for a role. And then you try to make things fresh.

People always said that time, the '70s, was about pretty boys, and then I came along!

One hopes to find out about the [movie] you're in while you're doing it, not several years later, which is usually when I find out. I'm like, 'Wow, that was a dud! I didn't know, nobody would tell me!' I've done things for certain reasons, but it [comes from] thinking on your feet... Sometimes actors do things not because we have a great desire [for it], but because it's work, and I'm starting to wonder about that.

But I was just lucky. People like [Francis Ford Coppola] were making films, and I got opportunities.

[quoted by Robert Osborne in "Academy Awards 1974 Oscar Annual"] I couldn't exist just doing films. But on the other hand, there is the fame that comes with it, and the money. My problem is I still want to play Hamlet in some little theater somewhere, and time is running out.

[Presenting the Lifetime of Achievement Award to director Sidney Lumet at the 2005 Academy Awards] As an old village poet put it to me in the 1960s. [If you dig it, it's yours]. I dug Sidney Lumet back then. I dig him now because what he had to give, I took and made it mine. I'm forever grateful along with all the other actors and writers who have benefited from Sidney's genius.

[on his friend and Heat (1995) co-star Robert De Niro] We know each other's minds. We have shared some things that are personal to us, such as our roles. I know Bobby through his roles. But, then, I don't think we actually talked about the actual work of actors.

[on his friend and Heat (1995) co-star Robert De Niro] I remember seeing things that Bob had done in the past, and very recent times, and have been taken with the work so much that I even wrote [him] about it. Some of his great work -- which is plenty -- I was staggered by the subtlety of his portrayal and the warmth, which is what we often talk about with Bob among us actors who admire him so. It is the warmth and the way he approaches things.

[on doing Scarecrow (1973) with Gene Hackman] Gene and I are two people not very similar. We had to play a very close relationship, but I just didn't think we were as connected as we should have been. We seemed apart. We didn't have altercations, we didn't hate each other. But we didn't communicate, didn't think in the same terms. Gene and I were thrown together, but under ordinary circumstances we'd never cavort or be friends. It was two worlds - but I have to say that I was as much responsible as he was.

[On whether or not acting is still challenging for him] The challenge? It's always a challenge of a sort. It's a challenge to get up and go and leave your family and go out there in all different parts of the world and do a picture and try to make it come alive . . . You're still challenged for that. I mean, it's the same story. It's just not changed. It seems to be the same thing it always was. It's this effort. If you get excited about a thing then things are generally a little easier. If you get enthusiastic and you want to do something and you feel you are into something then things start to come. But usually to find the enthusiasm and the appetite, that's the challenge.

[On why his film Chinese Coffee (2000) has yet to be released] 'Coffee' is done, I got a couple of little important things to do about it, like little tiny things, and THEN I will unveil it. It's not a movie that you put in a . . . it needs a certain environment to flourish in. It's just the way it is. It doesn't make it better or worse than the picture. It's just the way it is, the nature of it.

I've always believed, I always hoped . . . I don't think I know what I'm saying when I say this, but I was hoping that we could have a museum where we had films. That there was a museum where films were, like, hung. Like paintings. And you went to the museum. I got the movie The Local Stigmatic (1990) that I made. It's 52 minutes and everybody has seen it now because I've personally got them in to see it, to show it to them and I paid them for it, too. But it's over at the Museum of Modern Art and I love saying . . . This is really pretentious of me, this is what I really like. I love to say: 'Oh, it's at the Museum of Modern Art. Isn't that great?' 'Have you released it?' 'No, I never did.' I love saying that, you know? 'How come?' 'Because I didn't feel like it.' It's fun to do that.

The actor becomes an emotional athlete. The process is painful -- my personal life suffers.

"You know what the problem with that film is? The real problem? Nobody wants to see Michael have retribution and feel guilty. That's not who he is. In the other scripts, in Michael's mind he is avenging his family and saving them. Michael never thinks of himself as a gangster - not as a child, not while he is one and not afterward. That is not the image he has of himself. He's not a part of the GoodFellas thing. Michael has this code; he lives by something that makes audiences respond. But once he goes away from that and starts crying over coffins, making confessions and feeling remorse, it isn't right. I applaud Francis Coppola for trying to get to that, but Michael is so frozen in that image. There is in him a deep feeling of having betrayed his mother by killing his brother. That was a mistake. And we are ruled by these mistakes in life as time goes on. He was wrong. Like in Scarface when Tony kills Manny - that is wrong, and he pays for it. And in his way, Michael pays for it." - On _Godfather: Part III, The (1990)_

My first language was shy. It's only by having been thrust into the limelight that I have learned to cope with my shyness.

I don't understand the hatred and fear of gays and bisexuals and lesbians...it's a concept I honestly cannot grasp. To me, it's not who you love...a man, a woman, what have you...it's the fact THAT you love. That is all that truly matters.

[When asked what romantic character he would want to be] [Pablo Picasso]. I love the idea that he used to just sit and stare at an empty canvas for as long as 12 hours straight. If you keep staring at the canvas, the hope is that something or someone will come to mind. That's a romantic notion in itself.

[When asked what a movie of his life would be called and who would play him] It would be called 'The Dustin Hoffman Story'. When we were starting out, [Robert De Niro], me and Hoffman were always sort of mixed up. People mistook us for each other.

In America most everybody who's Italian is half Italian. Except me. I'm all Italian. I'm mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.

[on The Godfather: Part III (1990)] You know what the problem with that film is? The real problem? Nobody wants to see Michael have retribution and feel guilty. That's not who he is. In the other scripts, in Michael's mind he is avenging his family and saving them. Michael never thinks of himself as a gangster - not as a child, not while he is one and not afterward. That is not the image he has of himself. He's not a part of the Goodfellas (1990) thing. Michael has this code; he lives by something that makes audiences respond. But once he goes away from that and starts crying over coffins, making confessions and feeling remorse, it isn't right. I applaud [Francis Ford Coppola] for trying to get to that, but Michael is so frozen in that image. There is in him a deep feeling of having betrayed his mother by killing his brother. That was a mistake. And we are ruled by these mistakes in life as time goes on. He was wrong. Like in Scarface (1983) when Tony kills Manny - that is wrong, and he pays for it. And in his way, Michael pays for it.

My dad was in the army. World War II. He got his college education from the army. After World War II he became an insurance salesman. Really, I didn't know my dad very well.

Here are some of the videos of his moving speeches in his movies I found in youtube:

FROM ANY GIVEN SUNDAY


FROM SCENT OF A WOMAN



TOP FILMS